Joseph Paquet Studio
Follow Joe on Facebook Follow Joe on Instagram Follow Joe on Twitter

Joseph Paquet painting Studio

Joe Paquet Paintings 2019-2020

2020 Coors Western Art Exhibit & Sale

Silver Plume Bones

Silver Plume Bones 18" x 24"    $8,900

High Noon, Silver Plume

High Noon, Silver Plume 8" x 12"    $3,400 - SOLD •

Toward Denver (Lasater)

Toward Denver (Lasater) 8" x 12"    $3,400

Old Jail & Miners House (Silver Plume)

Old Jail & Miners House (Silver Plume) 8" x 12"    $3,400 - SOLD •

Midday, Clear Creek

Midday, Clear Creek 8" x 12"    $3,400

Gold & Ghosts

Gold & Ghosts 8" x 12"    $3,400 - SOLD •

Catalina Island Conservancy
Wildside Exhibition 2019


First Rays, Two Harbors    18" x 24"    $9,000


After The Rain, Cottonwood Canyon Road    18" x 24"    $9,000 - SOLD •


Channel Sunrise    8" x 12"    $3,400


Brethe Deep, Ben Weston    8" x 12"    $3,400 - SOLD •


Storm over the Channel    8" x 12"    $3,400


Rainy Day, Avalon    8" x 12"    $3,400 - SOLD •


Moody Day, Moonstone Beach    8" x 12"    $3,400 - SOLD •


Indian Head Rock    8" x 12"    $3,400 - SOLD •

July 2019

Morning, Prairie Requiem

Fractured 40" x 28" $26,000 - SOLD •

Many years ago I had a dream, which profoundly affected me. It was during a period of great frustration with my work.

When a friend asked how I would verbalize my frustration, I shrugged and said, "I feel like I'm wearing the wrong jacket."

In the dream I saw wonderful large, unstretched canvases laid out flat on framing tables in a gallery.

They had color harmonies unlike anything I had ever seen, yet felt totally plausible in their reality.

The artist was there and she was very casual about the work to the point of annoyance when I inquired as to where they were painted.
With an imperious and dismissive wave of her hand she said, "Over there," while gesturing to an empty lot across the street.
I looked at the lot then back to the paintings.
She had indeed painted the lot that had gone fallow with its scrubby trees and weeds.

The painting was truthful in its essence but the color and judicious creative decisions had combined to form a Subjective Truth.
I was riveted.

All those years ago that dream set me on a path.
These new works mark a turning point for me and represent a subjective truth --

They are the product of a deeper level of study, subjective choice making and sensitivity I have been endeavoring to get closer to.

It marks the beginning of a new and exciting journey.



Tagged 28" x 40" $30,000

June 2019


Sun and Shadow Valley Forge 8" x 12" $3,400 - SOLD •


Village Fish Pond 8" x 12" $3,400


Eel Seller 8" x 10" $3,400

March 2019

East Facing

East Facing 28" x 40" $24,000 - SOLD •

January 2019

Morning, Prairie Requiem

Prairie Requiem 28" x 40" $24,000

Some of my best friends paint from photography.

I choose not to work from photography or have a computer screen next to my easel. Don't get me wrong; I have no problem with anyone who works from photography. It simply doesn't work for me.

Frankly, I am envious at times and would enjoy the convenience. 

Its pretty alluring, the idea of having an unlimited amount of time to paint some fleeting effect in the wind-free warmth of one's studio, taking breaks when the mood strikes. Ah, the comfort and control. 

The image of the Artist pondering a large painting in their studio has become the archetype of what an artist is: what's not to like?

Its all there--the alchemy, intrigue and solitary romanticism of the creative process.

Honestly, I love the sound of it.

The problem for me is that I can never get what I need most in my studio and that is the energy of a place - its something I need to feel, not just see.
Places hold the energy of their histories and if you are very still and humble they will whisper their stories to you.

Standing at edge of the prairie in the wind-blown snow and simply taking in the sound of a banging strip of roof tin transports me to another place. The fragrance of old hay, the feel of snow giving way under my boots, the cold, the discomfort, the profound sense that life here was never easy.

Everything on that homestead resonated a palpable, low-grade vibration of lonely dreams, earnest effort and slim margins.
If I could get all that from a photo I'd be all over it.
It's essential for me to be fully engaged, mentally, physically and spiritually to wring the most from an experience. The natural, sensory friction in the process of working from life is the leavening agent that expands my possibilities of reception. 
With greater reception I can go deeper.
I'd enjoy the ease and convenience of photography but I prefer to feel things, and by necessity that means giving over to the experience and often being uncomfortable.
I don't wear my discomforts of painting outdoors as a badge of honor, but the necessary price of admission to connection.
If I am successful, all of those feelings and experiences are woven into the paint and perhaps the painting will be something more than another picture.


More Paintings